There is a version of this argument that plays out at a scale most media theorists would not bother to examine. No television deals, no Daytime Emmy nominations, no thirty million dollars in annual revenue. Just a wooden deck roughly the length of a finger, two miniature trucks, four wheels smaller than a coin — and a global community that has been building something concrete, iconic, for over two decades. The fingerboard market is, by most conventional measures, a niche. Its